“You’re a story, but that doesn’t make you any less true.”
Alice Proserpine has always known that her mother, Ella, was raised on fairy tales amidst the cult-like fandom surrounding the release of “Tales from the Hinterland” a collection of grim fairy tales that, in the 1980s, briefly made Alice’s grandmother Althea Proserpine a celebrity. Alice doesn’t grow up like that. Instead of fairy tales, Alice has highways as she and Ella constantly move around hoping to outrun their eerie bad luck for good–something that seems much more likely when they learn that Althea has died alone on her estate, The Hazel Wood.
Unfortunately just like in “Tales from the Hinterland” everything isn’t as it seems and soon after Alice’s mother is kidnapped leaving no clue except to warn Alice to stay away from the Hazel Wood. With no other clear path to finding her mother, Alice reluctantly enlists her classmate and not-so-secret Hinterland fan Ellery Finch, who may or may not have ulterior motives for helping, to share his expertise on the fairy tales. The path to the Hazel Wood leads Alice straight into the story of her family’s mysterious past and the moment when her own story will change forever in The Hazel Wood (2018) by Melissa Albert.
Albert’s standalone fantasy debut has a narration in the vein of a world weary noir detective who happens to be a teenage girl named Alice. Resourceful, whip smart, and incredibly impulsive Alice also struggles with her barely contained rage throughout the novel as circumstances spiral out of her control. Alice’s singular personality largely excuses the lack of context for much of her knowledge and cultural references which hearken more to a jaded adult than a modern teen.
The lilting structure and deliberate tone of The Hazel Wood immediately bring to mind fairy tales both new and retold while also hinting at the teeth this story will bear in the form of murder, mayhem, and violence both in the Hinterland tales and in Alice’s reality. An aggressive lack of romance and characters transcending their plots make this story an empowering read that will be especially popular with fans of fairy tale retellings.
Possible Pairings: The Language of Thorns by Leigh Bardugo, The City of Brass by S. A. Chakraborty, Caster by Elsie Chapman, Into the Crooked Place by Alexandra Christo, The Eyre Affair by Jasper Fforde, Fire and Hemlock by Diana Wynne Jones, The Ten Thousand Doors of January by Alix E. Harrow, Roses and Rot by Kat Howard, Sender Unknown by Sallie Lowenstein, Every Heart a Doorway by Seanan McGuire, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, The Invisible Life of Addie LaRue by V. E. Schwab, The Raven Boys by Maggie Stiefvater, Realm of Ruins by Hannah West, The Light Between Worlds by Laura E. Weymouth
*A more condensed version of this review appeared as a starred review in the October 2017 issue of School Library Journal*