Sikander, the emperor of Macedon, arrives in peaceful Shalingar after conquering Anatolia, Syria, Phoenicia, Judea, Bactria, and Persia. Sikander asks Princess Amrita to become his bride as part of a peaceful treaty between the two nations but the negotiations soon end in bloodshed and force Amrita to flee.
Haunted by the loss of her kingdom and everyone she loves Amrita helps Thala, an enslaved oracle, escape imprisonment. Together Thala is certain that she and Amrita can find the Library of All Things and convince the Keeper of the library to allow them to change their own fates.
As Amrita and Thala come closer to changing their fates, Amrita has to come to terms with the fact that her old life may be impossible to reclaim and a new life can only be found through sacrifice in The Library of Fates (2017) by Aditi Khorana.
Khorana’s sophomore novel is a standalone fantasy imbued with elements from Indian folklore and Hindu mythology combined with elements of the author’s own invention including a giant magical spider that allows characters to travel through time and space.
This story is hampered by anachronistic phrases and details that fail to coalesce into a coherent world or logical magic system. Basically all of background suggests that this story is set around 300BC which fits with the inclusion of Macedon and other countries that are mentioned. In spite of that Amrita and her friends continuously use words and phrases that have origins in the 1800s. Because of this the dialogue feels especially English/American which makes sense given the author being American but also rings untrue as the characters themselves are not (and in fact are probably speaking the fictitious Shalingarsh language throughout). Of course, The Library of Fates would always be read in English by English readers but the offhand linguistic choices often serve to draw readers out of the story.
As a narrator Amrita is an uneasy blend of naive and impetuous while also being seemingly the only character in the novel unaware of her true connection to a mythical goddess called Maya the Diviner. Every character Amrita knows in the palace has been aware of this connection since her birth and kept it from her. Literally. Every. Character.
Despite the inherent tension of an early love triangle, relationships remain underdeveloped save for the endearing if abrupt friendship between Amrita and Thala. As Amrita ponders her odious marriage arrangement with Sikander, she suddenly and completely falls for Arjun, her best friend since childhood. This forbidden love is dropped when Amrita is forced to leave Shalingar without him. A new love interest is introduced for a dramatic star-crossed love story that is largely toothless because the second love interest appears in about ten pages total of the entire book–and that only after the story hits the halfway mark.
Interesting concepts including the Library of All Things itself are bright spots in this otherwise unfocused story where many of the most exciting moments are related in asides or flashbacks. A serviceable if not well-realized fantasy that will appeal to fans of The Wrath and the Dawn and The Star-Touched Queen.
Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, The Star-Touched Queen by Roshani Chokshi, Gravemaidens by Kelly Coon, Vessel by Sarah Beth Durst, The Shadow Behind the Stars by Rebecca Hahn, Cruel Beauty by Rosamund Hodge, A Thousand Nights by E. K. Johnston, Silver Phoenix by Cindy Pon
*A more condensed version of this review appeared as a review in the June 1, 2017 issue of School Library Journal*