“Being a good Diabolic meant being a hideous person.”
Nemesis barely remembers the time before she was bonded to Sidonia. Anything that came before is irrelevant. Now Nemesis will do whatever is necessary to ensure that Sidonia survives and flourishes. As long as Sidonia is safe and secure everything else, including Nemesis’s own well-being, becomes irrelevant.
When news of her senator father’s heresy reaches the seat of the Empire, Sidonia is summoned to the Imperial Court as a hostage. There is no way for Nemesis to strike against the Emperor. No way for her to shelter Sidonia when she is summoned. This time the only way Nemesis can protect Sidonia is to become her.
At the Imperial Court, Nemesis has to hide her superior strength, cunning intellect, and her ruthless lack of humanity. Greedy senators, calculating heirs, and the Emperor’s mad nephew Tyrus are all keen to use Nemesis for their own ends. But she has little interest in the politics at Court or the rebellion that is beginning to foment.
Nemesis knows that she is not human. She knows the matters of the Imperial Court are not her concern. But she also soon realizes that saving Sidonia may involve saving not just herself but the entire Empire in The Diabolic (2016) by S. J. Kincaid.
The Diabolic was written as a standalone sci-fi novel. After its release Kincaid signed a book deal for two additional novels making The Diabolic the start of a trilogy.
Kincaid has built a unique world layered with complex alliances and difficult questions about what it means to be human which play out against a galactic power struggle. Nemesis’s performative identity as Sidonia contrasts well against the Emperor’s son, Tyrus, a Hamlet-like figure who may or may not be putting on an act of his own in a bid for the throne. Nemesis’s character growth as she learns to choose herself beyond any loyalty she feels to Sidonia or others is fascinating and thoughtfully done.
The Diabolic is a sprawling space opera that brings Nemesis and other characters across the galaxy in a story filled with double crosses, twists, and intrigue so thick you could cut it with a knife. Nemesis narrates the novel with a tone that is as pragmatic as it is chilling–unsurprising for a character who has been told constantly throughout her life that she will never be human. Whether Nemesis will prove her detractors correct or exceed her supposed Diabolic limitations remains to be seen.
The combination of ambiguous morality, lavish settings, and a cast of provocative characters make The Diabolic an utterly satisfying sci-fi adventure. Highly recommended.
Possible Pairings: Empress of a Thousand Skies by Rhoda Belleza, The Cruel Prince by Holly Black, The Scorpion Rules by Erin Bow, The Hunger Games by Suzanne Collins, Mirage by Somaiya Daud, Incarceron by Catherine Fisher, Defy the Stars by Claudia Gray, Goddess in the Machine by Lora Beth Johnson, That Inevitable Victorian Thing by E. K. Johnston, Proxy by Alex London, Legend by Marie Lu, The Orphan Queen by Jodi Meadows, Wires and Nerve, Volume 1 by Marissa Meyer and Douglas Holgate, A Confusion of Princes by Garth Nix, Birthmarked by Caragh M.O’Brien, For Darkness Shows the Stars by Diana Peterfreund, The Winner’s Curse by Marie Rutkoski, This Savage Song by Victoria Schwab, Scythe by Neal Shusterman, Impostors by Scott Westerfeld, And I Darken by Kiersten White, Bring Me Their Hearts by Sara Wolf
*An advance copy of this title was provided by the publisher for review consideration at BEA 2016*