Author Interview: Shanna Swendson on Rebel Mechanics

Shanna Swendson author photoRebel Mechanics has quickly become one of my favorite books. This alternate history novel blends elements of fantasy and steampunk to create an adventurous novel with romance, action and tons of fun. Today Shanna Swendson is here for to talk about her delightful latest novel.

Miss Print (MP): Can you tell us a bit about your path as a writer? How did you get to this point?

Shanna Swendson (SS): I’ve always entertained myself by making up stories in my head. I was about twelve when I realized that if I wrote these stories down, I’d have a book. I think that was when I decided this was what I wanted to do when I grew up. I studied journalism in college with the idea that it would be a way to learn about writing while getting trained in something I could get a job in (since there aren’t really any “entry-level” novelist jobs). I started seriously writing — as in finishing a book instead of starting a lot of ideas — about a year after I finished college and sold my first book not long after that. I had a few romance novels published, then moved into fantasy with the Enchanted, Inc. series. Rebel Mechanics is my first novel for young adults, though a lot of teens have read my earlier books, as well.

MP: What was the inspiration for Rebel Mechanics?

SS: The idea of steampunk has appealed to me for a while because I’ve always been a bit of a fan of Victoriana. I love a good costume drama, and this is costume drama with a twist and a bit of adventure. I just didn’t have a story idea in mind, until one day when I was looking at my bookcase and saw a couple of books next to each other that gave me an “aha!” moment. My copy of Jane Eyre was next to a Madeleine Brent Gothic adventure/romance, and that was when I thought I needed to write a steampunk governess/spy story. Being a governess would be a great cover for spying on the upper class, and if the upper class had magical powers, that would give them an actual reason for being set apart from the rest of society. The rest kind of fell into place from there.

MP: Rebel Mechanics features elements of steampunk as seen with the actual Rebel Mechanics with more traditional fantasy in the form of the magic wielded by Magisters. What drew you to these two aspects of the story? How did you go about constructing the rules that would govern magic in this novel?

SS: Since I started with the idea of the upper class having magic, it seemed like the best way to fight against them would be with advanced technology, so the magic vs. technology tension is inherent in the premise. One thing I’ve wanted to see more of in the steampunk I’ve read is that influence of the technology on society rather than it just being part of the set design. I wanted to write a story about actual steampunks who were using technology to rebel against magic. As for creating the rules of magic, this is the third fantasy “universe” I’ve created, so making up magical systems is second nature. I start with what I need to have happen for the story to work, and then build it from there — and then force myself to stick to those rules even when they become inconvenient. The main thing I wanted in this magical system was for it to be detectable, so another magical person would know if magic was in use nearby. This kind of magic is mostly a power supply — kind of like electricity, only generated and channeled by people.

MP: This book is set in 1888 New York (with a very altered history because of the magisters). Why did you choose this historical era? How did you find historical details and choose which ones to include and/or alter in your story?

SS: Would it sound too shallow to say I chose it because I liked the clothes? Actually, I wanted to use Gilded Age New York as the setting because even in the real history that was an era of a vast gap between social classes. There were outrageously wealthy people living extremely extravagant lives, and there were horribly poor people crammed into tenements that would make even the slums of today look like luxury. There were times during that era when a revolution wouldn’t have been a huge surprise. At the same time, technology was starting to play a bigger role in daily life. It seemed like the perfect era to have a revolution brewing.

I did a ton of reading when I was researching this novel — about 60 books — and I have a binder full of notes I jotted while reading. I read about the social set of the Gilded Age, found a wonderful book full of photos of the Fifth Avenue mansions that no longer exist, and read some memoirs of people who lived in that era. I’d studied the work of tenement reformer Jacob Riis in journalism school and had his books, full of photos of slum life from not long after the time in which the book is set. I also did a lot of reading about the real American Revolution and found events that seemed to parallel situations either in the real world in the later time or in my story, and I found ways to move them around. I think I just mostly looked for details that gave me that “ooh, this could work!” tingle.
MP: Verity’s New York is a magical place (often literally!). Throughout the story she travels to many different areas of Manhattan. Did any actual locations inspire you while writing this story? How did you decide which locations to include in the story?

SS: Between business trips to New York and research trips I’ve done for other books, I’ve walked huge swaths of Manhattan and am pretty familiar with it. Central Park is one of my favorite places in the world, and I have to go there on every trip. The Victorian lampposts in the park seem to fit this era pretty well, and the park as a kind of front yard for the mansions across the street plays a role in the story. Most of the mansions there didn’t last long because that land is too valuable for a single-family home, but there are still a few that are now museums. There’s a stretch of Broadway south of Fourteenth Street that has always struck me as looking like something you’d expect to see in a Dickens novel, and so that’s a general area where I set a lot of the “downtown” scenes. I kept a map of the city and a historical atlas showing what was built when by my side when I was writing.

MP: Verity is a big reader of both classics and more contemporary novels in Rebel Mechanics. Did you always know reading would be a big part of her character? How did you decide which books and genres to include in your story?

SS: Being caught in between things is a big theme in the novel, and Verity’s choice of reading material plays into that. She’s been highly educated by a demanding professor father, so she’s well-versed in the classics, but at the same time, she’s a dreamer who needed an escape from a pretty drab life, so she turns to popular fiction. That makes her an interesting combination of very knowledgeable and very naive, but it also makes her game for jumping in and trying new things because she’d love to be a heroine like she’s read about in books. I suppose it was natural for me to write a reader like that because books are such a huge part of my life, and I’m just as prone to reading a classic as I am to reading the latest fantasy bestseller.

MP: Did you have a favorite character to write in Rebel Mechanics? Is there any character you are particularly excited for readers to meet?

SS: I pretty much love all of them. It’s hard to choose a favorite. I did end up really loving Henry. He was fun to write and turned out a little different than I initially planned, which sends the book into a slightly different direction that I ended up loving. I guess I like a man of mystery who can also be a bit of a geek.

MP: If you had to choose would you rather be a Rebel Mechanic or a Magister?

SS: I’m not sure I could choose! I might end up being like Verity and mediating between the two groups. I have to confess that I’m not very mechanically minded, so I’d be pretty useless as a Mechanic.

MP: Can you tell us anything about your next project? Will we be seeing more of Verity and Henry?

SS: I’m working on the third book of my contemporary fantasy Fairy Tale series, but I’m researching the second book in what I hope will be a Rebel Mechanics trilogy. I haven’t sent the publisher a proposal yet, so I suppose it depends on how well this book does before I’ll know if they want more books (so buy the book and tell all your friends!).

[MP: Seriously. Buy this book. I need more Verity and Henry in my life, people!]

MP: Do you have any advice to offer aspiring authors?

SS: Becoming a published author requires a lot of perseverance. I started writing this book in the summer of 2010, and it’s only now coming to print. In between, there were a lot of revisions and rewrites, then a lot of rejections by publishers, and then after it sold there were even more rewrites. If I’d given up when it became difficult, the book wouldn’t have been published. So, power through even when you feel like giving up.

Thanks again to Shanna for this fantastic interview.

You can see more about Shanna and her books on her website.

You can also read my review of Rebel Mechanics.

4 thoughts on “Author Interview: Shanna Swendson on Rebel Mechanics

  1. Love this interview! I had no idea that much research went into the book; that’s really cool :) And I really need the rest of that trilogy, so I may need to consider getting a finished copy to help out lol.

    Liked by 1 person

    • Yes! I am very invested in this series obviously so when I saw there was an unsold sequel, my first thought was “should I organize a pre-order campaign of my own?!” Whatever it takes!

      Like

  2. Great interview! I brought this book with me to the lake this weekend, but just never could get to it due to the holiday insanity. You’re inspiring me to try to get to it soon!

    Liked by 1 person

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