Nineteen-year-old Hannah Ward is not a ballerina, not yet anyway. A dancer with the Manhattan Ballet Company, Hannah knows this is her year to finally land a coveted promotion from corps dancer to soloist. It has to be. Recruited by the Company when she was fourteen, Hannah has been working toward this singular goal for her entire life.
On a rare night off, Hannah meets a pedestrian–a non-dancer–named Jacob. A free-spirited musician, Jacob’s life is everything Hannah’s is not, filled with freedom from the regimen and commitments being a professional dancer entails.
As Hannah spends more time with Jacob and moves closer to her ballerina dream, she starts to wonder if ballet really is enough. It always had been before, but now Hannah isn’t so sure. Ballerinas are supposed to dedicate themselves to dance, but Hannah might be ready to dedicate her life to other pursuits in Bunheads (2011) by Sophie Flack.
Bunheads is Flack’s first novel. It was also a finalist for the 2011 Cybils in Young Adult Fiction.
As a novel, Bunheads falls short in several areas. Informed by her own experiences as a professional dancer (Flack danced with the New York City Ballet from 2000 to 2009) much of the novel feels indulgent and more like an exercise in wish-fulfillment on the author’s part than an actual story.
Hannah and Jacob’s immediate connection never feels authentic which raises questions about both character’s behavior throughout. Combined with a meandering, slow-paced plot the book often lacks the verve to keep things interesting.
With Hannah and her friends being wholly consumed by dance, there is little room for character development. There are even fewer opportunities to make the characters distinguishable from each other as all of the dancers, Hannah included, feel interchangeable for much of the novel.
Where Bunheads really shines is in setting the scene for Hannah and her world. Flack brings a professional eye to the story, expertly conjuring the narrow world of a corps dancer that is filled both with grueling monotony and brief moments of wonder found on the stage.
Bunheads is a moderately entertaining reminder of both the passion andthe commitment that being a professional dancer demands. It is easy to admire the glitter and tutus of a ballet. This book reminds readers to remember the stamina and strength that makes every ballet look effortless on stage.
Finally, and perhaps unexpectedly, Bunheads is a beautiful example of the bravery it takes to dedicate years to a specific plan only to choose a completely different path leading into uncharted territory. A must read for ballet enthusiasts, athletes, and anyone trying to strike out on their own–even if they don’t know exactly where they will be striking just yet.
Possible Pairings: Tumbling by Caela Carter, So Much Closer by Susane Colasanti, Pointe by Brandy Colbert, Until We Break by Matthew Dawkins, The Year My Sister Got Lucky by Aimee Friedman, Everywhere You Want to Be by Christina June, Virtuosity by Jessica Martinez, Lola and the Boy Next Door by Stephanie Perkins, The Secret Sisterhood of Heartbreakers by Lynn Weingarten, Starry Nights by Daisy Whitney, Absolutely Maybe by Lisa Yee