Kelleigh Monahan doesn’t drink, do drugs, talk back, or do any of the other things girls usually do to act out. In fact, if it weren’t for a series of bizarre coincidences, Kelleigh wouldn’t even have become a car thief in How to Steal a Car (2009) by Pete Hautman.
The first car, the Nissan, was barely even stolen. And after that, well, steal one car and suddenly everyone expects you to be a regular car thief or something.
That isn’t to say that this bookis an action packed heist book. It’s not. Despite its title, How to Steal a Car is more about the ennui and general frustration so often associated with suburban life–especially for teens.
Kelleigh is surrounded by people lulled into complacency by their quiet, suburban town while she, much like Moby Dick’s Ishmael as quoted in the beginning of the story, wants nothing more than to run away. Or, as luck would have it, to drive away in someone else’s car.
How to Steal a Car is an interesting, super fast read. Unfortunately that does not make it particularly compelling. While Kelleigh’s ennui was palpable, she remained painfully one dimensional as a character. Hautman’s portrayal of the rest of the characters in the novel were similarly lacking in depth. The story was interesting enough to keep me reading to the end, but the Kelleigh at the end of the story was basically the same Kelleigh we met at the beginning: a girl frustrated with her life and unsure what to do to fix it.
Possible Pairings: Catalyst by Laurie Halse Anderson, Don’t Ever Change by M. Beth Bloom, The Vast Fields of Ordinary by Nick Burd, Someday This Pain Will Be Useful to You by Peter Cameron, Finding Mr. Brightside by Jay Clark, Goth Girl Rising by Barry Lyga, Rx by Tracy Lynn, Moby Dick by Herman Melville, The New Rules of High School by Blake Nelson, How to Say Goodbye in Robot by Natalie Standiford, Gone in Sixty Seconds (movie).