It’s one thing, now and then, for a stray bit of the woods to encroach. A well lost here, a path obstructed. Such things are to be expected.
This summer is different. The entirety of the woods seems to be moving in leaps and bounds, creeping closer than they have in years.
Marni knows the woods are dangerous place–a place of magic and wonder that often draws girls to it only to swallow them whole. Still, time and again, she finds herself sneaking there–away from Gramps, away from the prying eyes of the villagers who buy their flowers, away from the life that was snatched from her the day her mother was killed.
Marni has always walked a narrow path between the life the was stolen and the life she has with her Gramps. But now, with the woods moving closer and promises being made, Marni will have to decide where she will stand in A Creature of Moonlight (2014) by Rebecca Hahn.
A Creature of Moonlight is Hahn’s first novel.
Hahn masterfully weaves a world here where magic is as beautiful as it is dangerous–a world populated with calculating lords and kings as well as dragons and Phoenixes. Marni is a fascinating narrator, one who views both the humans and the woods with a healthy sense of skepticism. She is a strong heroine with a strong sense of self and an even stronger desire to secure her freedom.
She also has a very strange twang to her entire narration that is more reminiscent of a novel set in the Depression Era west (or just the West) than it is to this bit of higher fantasy. Marni reckons about many things and is none too afraid to say so neither. Her voice is often extremely jarring as readers are drawn repeatedly out of the story to ponder the choice of words on the page.
The story is typical coming of age fare as Marni learns more about both sides of her “family” such as they are and, over the course of the novel, comes into her own in various ways.
A Creature of Moonlight is decidedly short on peripheral characters, making the time spent in Marni’s head often claustrophobic as so much of the story centers on her inner conflicts. While her observations of the woods and at court are often entertaining and razor sharp, Marni’s motivations are never as clear as they should be.
While it is refreshing and modern to see Marni repeatedly turn down marriage proposals, the logic behind her deep conviction to not marry is murky at best–particularly given the specific set of obligations that will come with a life at court (which Marni adopts at one point in the plot).
Though often unsatisfying, A Creature of Moonlight remains a solid debut from an author to watch.
Possible Pairings: Tiger Lily by Jodi Lynn Anderson, Fire by Kristin Cashore, Seraphina by Rachel Hartman, Howl’s Moving Castle by Diana Wynne Jones, Wildwood Dancing by Juliet Marillier, The Glass Casket by Templeman McCormick, The Near Witch by Victoria Schwab, Dust Girl by Sarah Zettel