Rescued from the gallows, Mary receives an extraordinary offer of an education and proper upbringing at Miss Scrimshaw’s Academy for Girls. Hidden behind the cover of a finishing school, The Agency works as an all-female investigative unit.
Five years later, with her training nearly complete, Mary is offered her first assignment working undercover as a lady’s companion. Stationed in a rich merchant’s home, Mary is tasked with helping along the investigation into missing cargo ships.
As Mary delves deeper into her investigation she soon discovers that everyone in the household is hiding something in A Spy in the House (2010) by Y. S. Lee.
A Spy in the House is Lee’s first novel. It is also the start of The Agency series (and consequently sometimes referred to as The Agency–by me at least).
Lee presents a well-researched, thoroughly engrossing mystery here. A Spy in the House evokes the gritty and glamorous parts of 1850s London with pitch-perfect descriptions. The dialog also feels true to the period with no jarring, obviously modern, turns of phrase.
The story is filled with twists and also some very smart observations about race, feminism and what being a woman with agency might have looked like in 1850s London. Although the ending is a bit rushed there is still an ideal balance between closure and hints of what to expect in future installments. The resolution is quite surprising in a way that is especially satisfying for a Victorian mystery.
Mary is a capable, pragmatic heroine who is as smart as she is endearing. With just a hint of romantic flirtation that is realistic and witty (and decidedly lacking in instant love), A Spy in the House
Possible Pairings: I’d Tell You I Love You, But Then I’d Have to Kill You by Ally Carter, The School for Good and Evil by Soman Chainani, Clockwork Angel by Cassandra Clare, Nathaniel Fludd, Beastologist: Flight of the Phoenix by R. L. LaFevers with illustrations by Kelly Murphy, Leviathan by Scott Westerfeld, Illusions of Fate by Kiersten White, Sorcery and Cecelia by Patricia C. Wrede and Caroline Stevemer